Romare Bearden
Tenor Sermon, 1979
About the Artist
Overview
American, 1911-1988, Charlotte, North Carolina, based in New York, New York
Biography

A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

2017
Collage: Made in America, Michael Rosenfeld Gallery
2016
2016
Summer Selections 2016, Aaron Payne Fine Art
2016
Recent Acquisitions, Bill Hodges Gallery